{"title":"Social Justice Books","description":"","products":[{"product_id":"bad-feminist-essays","title":"Bad Feminist: Essays Book","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp style=\"margin: 0px 0px 14px; padding: 0px; color: #333333; font-family: 'Amazon Ember', Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\" data-mce-fragment=\"1\" data-mce-style=\"margin: 0px 0px 14px; padding: 0px; color: #333333; font-family: 'Amazon Ember', Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cstrong style=\"font-weight: bold;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: bold;\"\u003eFrom the author of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem style=\"font-style: italic;\" data-mce-fragment=\"1\" data-mce-style=\"font-style: italic;\"\u003eHunger: A Memoir of (My) Body,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003ethe\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem style=\"font-style: italic;\" data-mce-fragment=\"1\" data-mce-style=\"font-style: italic;\"\u003eNew York Times\u003c\/em\u003e Bestseller, Best Book of the Year at NPR, the Boston Globe, Newsweek, and many more, and instant classic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"margin: -4px 0px 14px; padding: 0px; color: #333333; font-family: 'Amazon Ember', Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\" data-mce-fragment=\"1\" data-mce-style=\"margin: -4px 0px 14px; padding: 0px; color: #333333; font-family: 'Amazon Ember', Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eA collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation, Roxane Gay.\u003c\/p\u003e\n\u003cp style=\"margin: -4px 0px 14px; padding: 0px; color: #333333; font-family: 'Amazon Ember', Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\" data-mce-fragment=\"1\" data-mce-style=\"margin: -4px 0px 14px; padding: 0px; color: #333333; font-family: 'Amazon Ember', Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cstrong style=\"font-weight: bold;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: bold;\"\u003e“\u003c\/strong\u003ePink is my favorite color. I used to say my favorite color was black to be \u003cem style=\"font-style: italic;\" data-mce-fragment=\"1\" data-mce-style=\"font-style: italic;\"\u003ecool\u003c\/em\u003e, but it is pink—all shades of pink. If I have an accessory, it is probably pink. I read \u003cem style=\"font-style: italic;\" data-mce-fragment=\"1\" data-mce-style=\"font-style: italic;\"\u003eVogue\u003c\/em\u003e, and I’m not doing it ironically, though it might seem that way. I once live-tweeted the September issue.”\u003c\/p\u003e\n\u003cp style=\"margin: -4px 0px 14px; padding: 0px; color: #333333; font-family: 'Amazon Ember', Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\" data-mce-fragment=\"1\" data-mce-style=\"margin: -4px 0px 14px; padding: 0px; color: #333333; font-family: 'Amazon Ember', Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003eIn these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (\u003cem style=\"font-style: italic;\" data-mce-fragment=\"1\" data-mce-style=\"font-style: italic;\"\u003eSweet Valley High\u003c\/em\u003e) of color (\u003cem style=\"font-style: italic;\" data-mce-fragment=\"1\" data-mce-style=\"font-style: italic;\"\u003eThe Help\u003c\/em\u003e) while also taking readers on a ride through culture of the last few years (\u003cem style=\"font-style: italic;\" data-mce-fragment=\"1\" data-mce-style=\"font-style: italic;\"\u003eGirls, Django in Chains\u003c\/em\u003e) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.\u003c\/p\u003e\n\u003cp style=\"margin: -4px 0px 0px; padding: 0px; color: #333333; font-family: 'Amazon Ember', Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\" data-mce-fragment=\"1\" data-mce-style=\"margin: -4px 0px 0px; padding: 0px; color: #333333; font-family: 'Amazon Ember', Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003e\u003cem style=\"font-style: italic;\" data-mce-fragment=\"1\" data-mce-style=\"font-style: italic;\"\u003eBad Feminist\u003c\/em\u003e is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better, coming from one of our most interesting and important cultural critics.\u003c\/p\u003e\n\u003cp style=\"margin: -4px 0px 0px; padding: 0px; color: #333333; font-family: 'Amazon Ember', Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\" data-mce-fragment=\"1\" data-mce-style=\"margin: -4px 0px 0px; padding: 0px; color: #333333; font-family: 'Amazon Ember', Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: #ffffff; text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;\"\u003ePaperback, 336 pages.\u003c\/p\u003e","brand":"Wild Cat Gift and Party","offers":[{"title":"Default Title","offer_id":39294270603348,"sku":"210000045828","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1226\/0714\/files\/1_55e3b1c6-f034-4fc4-a5fd-ea22566aeae3.png?v=1754578603"},{"product_id":"disability-visibility-first-person-stories-from-the-twenty-first-century-book","title":"Disability Visibility: First-Person Stories from the Twenty-First Century Book","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb data-mce-fragment=\"1\"\u003eONE OF\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTHE PROGRESSIVE\u003c\/i\u003e'S BEST BOOKS OF THE YEAR\u003c\/b\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOne in five people in the United States lives with a disability. Some disabilities are visible, others less apparent—but all are underrepresented in media and popular culture. Now, just in time for the thirtieth anniversary of the Americans with Disabilities Act, activist Alice Wong brings together this urgent, galvanizing collection of contemporary essays by disabled people.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom Harriet McBryde Johnson’s account of her debate with Peter Singer over her own personhood to original pieces by authors like Keah Brown and Haben Girma; from blog posts, manifestos, and eulogies to Congressional testimonies, and beyond: this anthology gives a glimpse into the rich complexity of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites readers to question their own understandings. It celebrates and documents disability culture in the now. It looks to the future and the past with hope and love.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wild Cat Gift and Party","offers":[{"title":"Default Title","offer_id":39381930704980,"sku":"210000046925","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1226\/0714\/products\/61OxRUFl1eL.jpg?v=1623955655"},{"product_id":"me-and-white-supremacy-a-guided-journal","title":"Me and White Supremacy: A Guided Journal","description":"\u003cp\u003eCombat Racism, Change the World, and Become a Good Ancestor with Me and White Supremacy\u003c\/p\u003e\n\u003cp\u003eAuthor Layla F. Saad wrote Me and White Supremacy to encourage people who hold white privilege to examine their (often unconscious) racist thoughts and behaviors through a unique, 28-day reflection process complete with journaling prompts. This guided journal, which includes the book's original weekly prompts and lots of space for note-taking and free-writing, is the perfect place to begin your antiracism journey. You will unpack:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWeek One: White Privilege; White Fragility; Tone Policing; White Silence; White Superiority; White Exceptionalism\u003c\/li\u003e\n\u003cli\u003eWeek Two: Color Blindness; Anti-Blackness against Black Women, Black Men, and Black Children; Racist Stereotypes; Cultural Appropriation\u003c\/li\u003e\n\u003cli\u003eWeek Three: White Apathy; White Centering; Tokenism; White Saviorism; Optical Allyship; Being Called Out\/Called In\u003c\/li\u003e\n\u003cli\u003eWeek Four: Friends; Family; Values; Losing Privilege; Your Commitments.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAwareness leads to action, and action leads to change. Create the change the world needs by creating change within yourself.\u003c\/p\u003e","brand":"Sourcebooks","offers":[{"title":"Default Title","offer_id":39687744880724,"sku":"210000054207","price":40.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1226\/0714\/products\/25298c7ffc001bb17eb2afb0e091c73a.jpg?v=1654873436"},{"product_id":"a-little-devil-in-america-book-softcover","title":"A Little Devil In America Book (Softcover)","description":"\u003cp\u003e\u003cstrong\u003eNATIONAL BOOK AWARD FINALIST • A sweeping, genre-bending “masterpiece” (Minneapolis \u003cem\u003eStar Tribune\u003c\/em\u003e) exploring Black art, music, and culture in all their glory and complexity—from\u003c\/strong\u003e \u003cstrong\u003e\u003cem\u003eSoul Train,\u003c\/em\u003e Aretha Franklin, and James Brown to \u003cem\u003eThe Fresh Prince of Bel-Air,\u003c\/em\u003e Whitney Houston, and Beyoncé\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eONE OF THE TEN BEST BOOKS OF THE YEAR: \u003cem\u003eChicago Tribune, The Philadelphia Inquirer,\u003c\/em\u003e \u003cem\u003eThe Dallas Morning News, Publishers Weekly\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e“Gorgeous essays that reveal the resilience, heartbreak, and joy within Black performance.”—Brit Bennett, #1 \u003cem\u003eNew York Times\u003c\/em\u003e bestselling author of \u003cem\u003eThe Vanishing Half\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e“I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and bestselling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance.\u003cbr\u003e\u003cbr\u003eTouching on Michael Jackson, Patti LaBelle, Billy Dee Williams, the Wu-Tan Clan, Dave Chappelle, and more, Abdurraqib writes prose brimming with jubilation and pain. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, \u003cem\u003eA Little Devil in America\u003c\/em\u003e exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWINNER OF THE ANDREW CARNEGIE MEDAL AND THE GORDON BURN PRIZE • FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD AND THE PEN\/DIAMONSTEIN-SPIELVOGEL AWARD\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eONE OF THE BEST BOOKS OF THE YEAR: \u003cem\u003eThe New York Times Book Review, Time,\u003c\/em\u003e \u003cem\u003eThe Boston Globe,\u003c\/em\u003e NPR, \u003cem\u003eRolling Stone,\u003c\/em\u003e \u003cem\u003eEsquire\u003c\/em\u003e, \u003cem\u003eBuzzFeed,\u003c\/em\u003e \u003cem\u003eThrillist, She Reads, BookRiot\u003c\/em\u003e, \u003cem\u003eBookPage,\u003c\/em\u003e \u003cem\u003eElectric Lit, The Rumpus, LitHub, Library Journal, Booklist\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Penguin Random House","offers":[{"title":"Default Title","offer_id":40146787598420,"sku":"210000053421","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1226\/0714\/files\/1_11a46400-a892-4e2d-980d-4eb0dd24678d.png?v=1754597248"},{"product_id":"pleasure-activism","title":"Pleasure Activism","description":"\u003cp\u003eHow do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Author and editor adrienne maree brown finds the answer in something she calls “pleasure activism,” a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition, she challenges us to rethink the ground rules of activism. Her mindset-altering essays are interwoven with conversations and insights from other feminist thinkers, including Audre Lorde, Joan Morgan, Cara Page, Sonya Renee Taylor, and Alexis Pauline Gumbs. Together they cover a wide array of subjects—from sex work to climate change, from race and gender to sex and drugs—building new narratives about how politics can feel good and how what feels good always has a complex politics of its own.\u003c\/p\u003e\n\u003cp\u003eBuilding on the success of her popular \u003cem\u003eEmergent Strategy\u003c\/em\u003e, brown launches a new series of the same name with this volume, bringing readers books that explore experimental, expansive, and innovative ways to meet the challenges that face our world today. Books that find the opportunity in every crisis!\u003c\/p\u003e\n\u003cp\u003eAdrienne Maree brown, author of \u003cem\u003eEmergent Strategy\u003c\/em\u003e and co-editor of \u003cem\u003eOctavia’s Brood\u003c\/em\u003e, is a social justice facilitator focused on black liberation, a doula\/healer, and a pleasure activist. She lives in Detroit.\u003c\/p\u003e\n\u003cp\u003ePRAISE for Pleasure Activism:\u003c\/p\u003e\n\u003cp\u003e“[brown] demonstrates how we can tap into our emotional and erotic desires to organize against oppression.” —\u003cem\u003eColorlines\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“adrienne maree brown...continues to stake her claim as one of our most critical thinkers and strategists by intentionally combining the power of story-telling with practical applications to help readers conjure their own definition of pleasure and how it is inextricably linked to every part of our existence.” —Monica Simpson, SisterSong Women of Color Reproductive Justice Collective\u003c\/p\u003e\n\u003cp\u003e\"adrienne marie brown is back, again dropping wisdom about alternative ways to live at this deeply fucked-up moment ... Let this book be the best Valentine’s Day gift you’ve ever given yourself.\" —\u003cem\u003eVice\/Broadly\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“adrienne maree brown dives deep, head first, into a fast swirling pool of pleasure-related topics. She swims her way from one end of the pool to the other with some help from her body-wise, experienced, friends. This book is all at once so cool, and so hot, with a rainbow of glorious compleXXXities. \u003cem\u003ePleasure Activism\u003c\/em\u003e is bound to make a huge splash!” —Annie Sprinkle, author of \u003cem\u003eExplorer’s Guide to Planet Orgasm—For Every Body\u003c\/em\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":40156505309268,"sku":"210000060704","price":23.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1226\/0714\/files\/1600x1600Websiteimagesizing_35_67533a84-d847-4d83-bb07-24169abeefe7.png?v=1771435078"},{"product_id":"all-about-love-book","title":"All About Love Book","description":"\u003cp\u003eWhat is love? Beyond the addictive refrain from Haddaway that is now stuck in your head, it is a multitudinous concept that is difficult if not impossible to fully grasp. And yet, in \u003cem\u003eAll About Love\u003c\/em\u003e, the first of three parts, we’re given an exporation of love that will grant an unexpected clarity, pushing you to seek a deeper meaning of love, and how it can heal the fissures that divide us.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA \u003cem\u003eNew York Times\u003c\/em\u003e bestseller and enduring classic, \u003cem\u003eAll About Love\u003c\/em\u003e is the acclaimed first volume in feminist icon bell hooks' \"Love Song to the Nation\" trilogy.  \u003cem\u003eAll About Love\u003c\/em\u003e reveals what causes a polarized society, and how to heal the divisions that cause suffering. Here is the truth about love, and inspiration to help us instill caring, compassion, and strength in our homes, schools, and workplaces.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e“The word ‘love’ is most often defined as a noun, yet we would all love better if we used it as a verb,” writes bell hooks as she comes out fighting and on fire in All About Love. Here, at her most provocative and intensely personal, renowned scholar, cultural critic and feminist bell hooks offers a proactive new ethic for a society bereft with lovelessness—not the lack of romance, but the lack of care, compassion, and unity. People are divided, she declares, by society’s failure to provide a model for learning to love. \u003c\/p\u003e\n\u003cp\u003eAs bell hooks uses her incisive mind to explore the question “What is love?” her answers strike at both the mind and heart. Razing the cultural paradigm that the ideal love is infused with sex and desire, she provides a new path to love that is sacred, redemptive, and healing for individuals and for a nation. 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But in urban centers around the world, they are closing, a cultural demolition that has Jeremy Atherton Lin wondering: What \u003cem\u003ewas\u003c\/em\u003e the gay bar? How have they shaped him? And could this spell the end of gay identity as we know it?\u003cbr\u003e\u003cbr\u003eIn \u003cem\u003eGay Bar,\u003c\/em\u003e the author embarks upon a transatlantic tour of the hangouts that marked his life, with each club, pub, and dive revealing itself to be a palimpsest of queer history. In prose as exuberant as a hit of poppers and dazzling as a disco ball, he time-travels from Hollywood nights in the 1970s to a warren of cruising tunnels built beneath London in the 1770s; from chichi bars in the aftermath of AIDS to today’s fluid queer spaces; through glory holes, into Crisco-slicked dungeons and down San Francisco alleys. He charts police raids and riots, posing and passing out—and a chance encounter one restless night that would change his life forever. \u003cbr\u003e\u003cbr\u003eThe journey that emerges is a stylish and nuanced inquiry into the connection between place and identity—a tale of liberation, but one that invites us to go beyond the simplified Stonewall mythology and enter lesser-known battlefields in the struggle to carve out a territory. 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They connect us and show us not only who we are, but also reflect the people during the time the stories were first told. And LGBTQIA+ people have been a part of every community since the dawn of storytelling.\u003cstrong\u003e \u003c\/strong\u003eFrom Tu’er Shen, the Chinese rabbit god who protected those yearning to come out in an unaccepting world, to Ghede Nibo, the Haitian spirit who performed drag in the realm of the dead, the twenty myths told in this collection capture one irrefutable fact—even as labels, language, and definitions have changed, LGBTQIA+ people have always existed.\u003cbr\u003e\u003cbr\u003eSome of these myths are not widely known. 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His great-grandfather was beaten to death by the Klu Klux Klan for attempting to vote. His grandfather was prevented from voting by Klan intimidation; his father was barred by poll taxes and literacy tests. Today, Cotton cannot vote because he, like many black men in the United States, has been labeled a felon and is currently on parole.\"\u003c\/p\u003e\n\u003cp\u003eAs the United States celebrates the nation's \"triumph over race\" with the election of Barack Obama, the majority of young black men in major American cities are locked behind bars or have been labeled felons for life. Although Jim Crow laws have been wiped off the books, an astounding percentage of the African American community remains trapped in a subordinate status--much like their grandparents before them.\u003c\/p\u003e\n\u003cp\u003eIn this incisive critique, former litigator-turned-legal-scholar Michelle Alexander provocatively argues that we have not ended racial caste in America: we have simply redesigned it. 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The New Jim Crow challenges the civil rights community--and all of us--to place mass incarceration at the forefront of a new movement for racial justice in America.\u003c\/p\u003e\n\u003cp\u003e10th anniversary paperback edition \u003cbr\u003e\u003c\/p\u003e","brand":"Ingram","offers":[{"title":"Default Title","offer_id":41880824938580,"sku":"210000060706","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1226\/0714\/files\/1600x1600Websiteimagesizing_11.png?v=1770845574"},{"product_id":"it-came-from-the-closet-queer-reflections-on-horror","title":"It Came From the Closet: Queer Reflections on Horror","description":"\u003cp\u003e\u003cstrong\u003eThrough the lens of horror—from \u003cem\u003eHalloween \u003c\/em\u003eto \u003cem\u003eHereditary\u003c\/em\u003e—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHorror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt Came from the Closet\u003c\/em\u003e features twenty-five essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on \u003cem\u003eJennifer’s Body\u003c\/em\u003e, Jude Ellison S. 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Conceived by Jeffrey Gibson, a renowned artist of Mississippi Choctaw and Cherokee descent, \u003cem\u003eAn Indigenous Present\u003c\/em\u003e presents an increasingly visible and expanding field of Indigenous creative practice. It centers individual practices, while acknowledging shared histories, to create a visual experience that foregrounds diverse approaches to concept, form and medium as well as connection, influence, conversation and collaboration. \u003cem\u003eAn Indigenous Present\u003c\/em\u003e foregrounds transculturalism over affiliation and contemporaneity over outmoded categories.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArtists include\u003c\/strong\u003e: Neal Ambrose-Smith, Teresa Baker, Natalie Ball, Laakkuluk Williamson Bathory, Rebecca Belmore, Andrea Carlson, Nani Chacon, Raven Chacon, Dana Claxton, Melissa Cody, Chris T. Cornelius, Lewis deSoto, Beau Dick, Demian DineYazhi', Wally Dion, Divide and Dissolve, Korina Emmerich, Ka'ila Farrell-Smith, Yatika Starr Fields, Nicholas Galanin, Raven Halfmoon, Elisa Harkins, Luzene Hill, Anna Hoover, Sky Hopinka, Chaz John, Emily Johnson, Brian Jungen, Brad Kahlhamer, Sonya Kelliher-Combs, Adam Khalil, Zack Kahlil, Kite, Layli Long Soldier, Erica Lord, Cannupa Hanska Luger, Tanya Lukin Linklater, James Luna, Dylan McLaughlin, Meryl McMaster, Caroline Monnet, Audie Murray, New Red Order, Jamie Okuma, Laura Ortman, Katherine \"KP\" Paul\/Black Belt Eagle Scout, Postcommodity, Wendy Red Star, Eric-Paul Riege, Cara Romero, Sara Siestreem, Rose B. Simpson, Jaune Quick-to-See Smith, Hulleah J. Tsinhnahjinnie, Anna Tsouhlarakis, Arielle Twist, Marie Watt, Dyani White Hawk and Zoon a.k.a. 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The book -- and the exhibition at the Broad Museum on which it is based -- shares its title with the pivotal text by feminist author bell hooks, in which love is an active process rooted in healing, carving a path away from domination and towards collective liberation.\u003cbr\u003eThrough her probing investigations of pop culture and mass media, Thomas makes a reverberating demand for Black women to be seen and understood, and for viewers to become what hooks calls “practitioners of love.”\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eWith influences ranging from 19th-century painting to popular culture, Thomas’ art articulates a complex and empowering vision of womanhood while upending traditional definitions of beauty, sexuality, celebrity and politics. This major publication further affirms Thomas’ status as a key, influential figure in contemporary art. It features notable works that are arranged in thematic chapters throughout the book.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eThe book also features an interview with the artist by Rachel Thomas, and is followed by essays from Beverly Guy-Sheftall, Darnell L. Moore, Claudia Rankine, Ed Schad, Renée Mussai and Christine Y. Kim, which cover her distinct visual vocabulary, drawing on themes of intergenerational female empowerment, autobiography, memory and tenets of Black feminist theory. Together, these essays explore how Thomas subverts art history to reclaim the notions of repose, rest and leisure in works that celebrate self-expression and joy. 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